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The Art of Listening... Or Not

The Art of Listening... or Not

by Isabella Valentine and M. Williams
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Now you hear it, now you don't. Or do you? Are words just flowing in and out, or have you captured something there. Ah yes, there it is. You have it. Or do you? 
 
Deciphering spoken language while our brains are fed new information can be quite a ride! In Communication studies, students are taught various ways to develop their active and/or passive listening skills. 
 
We've created definitions for listening methods used in social discussions, private digital conversations, public speaking, internal dialogue, and of course, erotic hypnosis. It is possible to flow through several modes of comprehension within the same conversation. 
 
Here's an example of how listening methods layer each other. John and Janet Doe are having a discussion. Janet is talking because she has a lot to say, and John feels like listening. John starts out by pseudo listening, or fading in and out of thought or just "pretending" or faking the listening process. When Janet briefly mentions a taboo topic, John bursts to attention. Aha! An interesting topic! Suddenly the pseudo listening is no longer as attractive to him as say, selective listening. For a while, John listens to Janet but only retains what he wants to hear. The conversation begins to shift towards the relaying of an emotional, personal story and John begins to empathically resonate with Janet. How many styles of listening skills do we use every day? What types of listening do you enjoy the most? Do some make you more or less comfortable? 
 
When a person is very seldom distracted, mentally or physically while engaged in conversation, that is a Communication textbook sign of having exceptional listening skills.
 
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The 21 Mini-Modes of Listening
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Ambush Listening: 
Listening with the purpose to instantly offer a rebuttal despite what is said.
 
Amnesiac Listening: 
Listening with the purpose to forget.
 
Comprehensive Listening: 
Listening to understand the over and underlying message being relayed by the speaker.
 
Critical Listening: 
Listening to evaluate and/or decide to accept or reject the message.
 
Cursor Listening: 
Listening with the intent of following through an assignment, given by the speaker, within a specific timeframe.
 
Deviant Listening: 
Listening with the intent to NOT listen.
 
Disassociative Listening: 
Listening with the purpose of abandoning thought while the speaker is talking.
 
Empathic Listening: 
Listening to apply emotional support to self, for the speaker, or for others who may also be listening.
 
Sacred Listening: 
Listening as though you are the only recipient of the message.
 
Helix Listening: 
Listening for pleasure, entertainment, enjoyment, or general appreciation.
 
Inductive Listening: 
Listening with the purpose of leisurely relaxing.
 
Integral Listening:
Listening with the purpose of turning the subject into the object of the next subject.
 
Lecture Listening: 
Listening with the purpose to recall or remember the information, given by the speaker, so that one may be able to recite it later.
 
Matrix Listening: 
Listening from multiple perspectives as you imagine others may or may not perceive it.
 
Motor Listening: 
Listening to internalize the experience.
 
Navigative Listening: 
Listening with the imagination to visually follow along where the speaker goes.
 
Pseudo Listening: 
Listening passively; scattered thoughts; fading in and out.
 
Responsive Listening: 
Listening while responding with biophysical feedback such as speaking, nodding, gesturing, or other body signals.
 
Selective Listening: 
Listening for the topics that interest you.
 
Social Listening: 
Listening as though you are one of many recipients being given the message.
 
Virgin Listening: 
Listening to explore; to be awed by new territory as presented by the speaker. 
 
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